{"id":103,"date":"2013-07-02T09:42:24","date_gmt":"2013-07-02T13:42:24","guid":{"rendered":"http:\/\/www.ramapo.edu\/berriecenter\/?page_id=103"},"modified":"2026-03-31T14:18:06","modified_gmt":"2026-03-31T18:18:06","slug":"kresge-pascal","status":"publish","type":"page","link":"https:\/\/www.ramapo.edu\/berriecenter\/art-galleries\/kresge-pascal\/","title":{"rendered":"Kresge & Pascal Galleries"},"content":{"rendered":"\n
\n

THE TENTATIVE APRIL 10 CONCERT BY THE DICK PINCHERS HAS BEEN CANCELLED.<\/strong><\/p>\n<\/div><\/div>\n\n

Gallery Hours<\/div>
\n

Tue, Thur, Fri: 1-5 p.m.
\nWed: 1-7 p.m.<\/p>\n<\/div><\/div>\n

About the Kresge and Pascal Galleries<\/h3>\n

The Kresge Foundation Gallery and the Andre Z. Pascal Gallery are in the Angelica and Russ Berrie Center for Performing and Visual Arts. The Kresge and Pascal Galleries are postmodern facilities designed by the firm of Hardy, Holtzman, and Pfeiffer. Since opening the building in 1999, the Galleries have hosted an intriguing contemporary exhibition schedule. Renowned artists shown in the gallery include Henry Darger, Felix Gonzalez-Torres, Lady Pink, Cindy Sherman, Kehinde Wiley, Yoko Ono, Luis Cruz Azaceta, Whitfield Lovell, Alighiero Boetti, Paul Cadmus, Trevor Paglen, Loretta Lux, Chris Verene, Ceal Floyer, Hector Hyppolite, Mona Hatoum, Robert Rauschenberg, Ming Fay, Ant Farm, Mel Edwards, Nalini Malani, Kara Walker, Sophie Calle, Sally Mann, Peter Schumann, Liza Lou, Allora & Calzadilla, Radcliffe Bailey, Catherine Opie, Cathy de Monchaux, Howard Finster, Duane Michaels, Sherrie Levine, Tony Oursler, Nancy Spero, Nairy Baghramian, Andy Warhol, David Wajnarowicz, Lalla Essaydi, Michael Snow, Lynda Benglis, Jimmie Durham, Louise Bourgeois, and\u00a0 Wangechi Mutu.<\/p>\n

Angelica and Russ Berrie provided the lead gift in a campaign that raised funds from corporations and individuals, College employees and alumni, state and federal government, and private foundations. Toward the end of the campaign a challenge grant of $475,000 from the Kresge Foundation assisted the College in raising the balance required to complete the project. The Pascal Gallery was funded by Gregory Z. Bukstein, a beloved and generous benefactor of the College, in memory of his twin brother. Their book, Survival: The Story of Two Brothers, recounts the story of the Bukstein brothers’ early childhood in Poland, exile to Siberia, survival during the Holocaust, life as refugees and pioneers in the then newly-created state of Israel and their eventual emigration to the United States.<\/p>\n

\"Ramapo\"<\/div>\n

EXHIBITION CALENDAR Spring 2026<\/h2>\n
February 2026<\/span><\/div>
\"A<\/div>
Feb.<\/span> 27<\/span><\/div>
Relative to the Collection: Luce Turnier<\/a><\/div>February 27, 01:00 pm -- April 10, 05:00 pm<\/span>
Berrie Center<\/a><\/div>

A small showing of paintings and drawings by the Haitian master, who was one of the most important woman Haitian artists of the 20th century.<\/p>\n

This exhibition will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.<\/p>\n

Image: Luce Turnier, Untitled<\/em>, 1980, drawing. From the collection of Axelle Liautaud.<\/p>\n<\/p><\/div><\/div>

\"A<\/div>
Feb.<\/span> 27<\/span><\/div>
GODDESSES 3.0<\/a><\/div>February 27, 01:00 pm -- April 10, 05:00 pm<\/span>
Berrie Center<\/a><\/div>

A group exhibition of contemporary artists curated by Director of the Art Galleries Sydney Jenkins and feminist artist and curator Donna Kessinger.<\/p>\n

Planned public programs include a lecture relating to goddesses history, a film screening and academic panel, exhibiting artists’ talks, and performance art.<\/p>\n

From the classical to fashion history to myth to popular culture and political art, this exhibition will flex numerous ways to think about the meaning of\u00a0Goddesses<\/em>.<\/p>\n

Artists represented range from Dara Birnbaum, Nancy Spero, Mary Beth Edelson, and Carolee Schneemann to Myrlande Constant, Vanessa Beecroft, and Mariko Mori, among others.<\/p>\n

This exhibition will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.<\/p>\n

Dates of other GODDESSES 3.0<\/em> events to be announced soon!<\/p>\n

View the information page for this exhibition here<\/a>!<\/p>\n

Image: Pat Lay, Altar Heads Series #4: Diviner<\/em>, 2003, fired clay, steel, gold leaf.<\/p>\n<\/p><\/div><\/div>

March 2026<\/span><\/div>
\"A<\/div>
Mar.<\/span> 06<\/span><\/div>
Art History Talk - The Ballad of Miss Fortune<\/a><\/div>11:30 am - 01:30 pm<\/span>
Berrie Center<\/a><\/div>

Please join us in the Berrie Center Caf\u00e9 at 11:30 for a special talk by Art Historian Maria Loh in which\u00a0she bridges renaissance imagery and notions of misogyny.<\/span><\/p>\n

This event is held in conjunction with\u00a0GODDESSES 3.0<\/em>, on view in the Kresge and Pascal Galleries February 25 – April 10. More information on GODDESSES 3.0\u00a0<\/em>can be found here<\/a>!<\/p>\n

ABSTRACT<\/strong><\/p>\n

\n
\n
Kairos, Occasio, and Fortuna are complex facets of the same goddess of luck, but at a certain moment in time a troubling, schizophrenic iconography came into being, which cast Lady Luck as a distinctively female force, both a capricious agent controlling the Wheel of Fortune and also as a body that could be either violently seized or wildly adored. This lecture will explore the uneasy gendering of Fortuna in some early modern images such as an engraving by Marcantonio Raimondi in the Metropolitan Museum that bears the descriptive title\u00a0A Naked Man Holding Fortune by the Hair and Whipping Her<\/em>. Rather than simply cancelling an image as such, I would like to take the opportunity to reflect upon the ideological work that such artworks accomplished in their own time and to push us to think about how we can and must make sense of them as twenty-first-century viewers.<\/div>\n<\/div>\n<\/div>\n

ABOUT THE SPEAKER<\/span><\/strong><\/p>\n

Maria H. Loh is Professor of Art History at the Institute for Advanced Study in Princeton<\/span>.\u00a0Previously, she taught at CUNY Hunter College for six years and\u00a0at University College London for over a decade. She is\u00a0a contributor to\u00a0Art in America<\/i>\u00a0and\u00a0the author of three books\u2014Titian Remade. Repetition and the Transformation of Early Modern Italian Art<\/i>\u00a0(2007);\u00a0Still Lives. Death, Desire, and the Portrait of the Old Master<\/i>\u00a0(2015); and\u00a0Titian\u2019s Touch. Art, Magic, & Philosophy<\/i>\u00a0(2019). She has also written on: horror and\u00a0\u201cspecial affect\u201d in early modern painting and sculpture;\u00a0rainbow imagery in Stuart England;\u00a0melancholia and the Renaissance in Ottocento Italy; remakes in Chinese cinema; repetition in Hitchcock\u2019s\u00a0Vertigo<\/i>; seriality and Sherrie Levine; and the \u201copen work\u201d of Jeff Wall. Her forthcoming book\u2014Liquid Sky<\/i>\u2014will be written for a general audience.\u00a0<\/span><\/p>\n

Image: Maria Loh, courtesy of the Institute for Advanced Study.<\/p>\n<\/p><\/div><\/div>

\"A<\/div>
Mar.<\/span> 25<\/span><\/div>
Film Screening - Ask the Goddess<\/a><\/div>02:30 pm - 04:30 pm<\/span>
G126<\/a><\/div>

As part of the\u00a0GODDESSES 3.0<\/a>\u00a0<\/em>exhibition, on view February 25 – April 10, the Ramapo College Art Galleries are pleased to present a screening of Carolee Schneemann’s Ask the Goddess <\/em>(1991).<\/p>\n

Ask the Goddess<\/em> is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from cards they have submitted. A continuous relay of projected slides comprises an iconography of Goddess symbols, taboo and sacred, including images of animal attributes. Schneemann reacts spontaneously to the questions; she channels cogent answers triggered by the unpredictable images and finds herself physically activated, turning into a howling wolf or crawling across the projection area, squealing like a pig. (Description via Electronic Arts Intermix).<\/p>\n

PLEASE NOTE: This film contains adult content.<\/strong><\/p>\n

Following the screening, there will be a panel discussion featuring Rachel Churner<\/a>, director of the Carolee Schneemann Foundation, Julie Nagle<\/a>, professor at the School of the Art Institute of Chicago, and Donna Kessinger<\/a>, co-curator of GODDESSES 3.0 <\/em>and feminist video artist.<\/p>\n

Location: Room G126<\/p>\n

Image: Carolee Schneemann,\u00a0Ask the Goddess<\/em>, 1991. Photo courtesy of the Carolee Schneemann Foundation.<\/p>\n

 <\/p>\n<\/p><\/div><\/div>

\"Two<\/div>
Mar.<\/span> 25<\/span><\/div>
Exhibition Reception<\/a><\/div>05:00 pm - 07:00 pm<\/span>
Berrie Center<\/a><\/div>

Join us in the Kresge and Pascal Galleries on Wednesday, March 25th from 5 – 7 PM to explore and celebrate the GODDESSES 3.0 and Relative to the Collection: Luce Turnier exhibitions!<\/p>\n

The evening will begin with time to view the galleries, followed by artist and curator talks at 6 PM.<\/p>\n

View the GODDESSES 3.0 information page here<\/a>!<\/p>\n

Refreshments will be provided.<\/p>\n

Image: Nancy\u00a0Spero<\/span>,\u00a0A New Consciousness<\/i>\u00a0(detail), print, Ramapo College Collection, gift of the artist.<\/p>\n<\/p><\/div><\/div>

April 2026<\/span><\/div>
Apr.<\/span> 29<\/span><\/div>
Visual Arts Senior Thesis Exhibition Reception<\/a><\/div>05:00 pm - 07:00 pm<\/span>
Berrie Center<\/a><\/div>

A group exhibition celebrating the achievements of graduating seniors. On view in the Kresge and Pascal Galleries.<\/p>\n

Exact viewing hours for this exhibition to be announced.<\/p>\n<\/p><\/div><\/div>\n

View the information and events page for GODDESSES 3.0 here!<\/h3>\n

GODDESSES 3.0<\/a><\/p>\n

 <\/p>\n

\n

Galleries closed for Spring Break (Week of March 16th)<\/strong><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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